Screenwriting is Easy & Other Lies.

Let’s start this rant with a truth. There are no shortcuts to screenwriting success. There are no shortcuts to getting a film you wrote or a movie idea you have sold and made. There’s an old saying that any film that actually gets made is a miracle. Well, that’s true, too. In fact, it’s a damn miracle.

I cannot tell you the number of times I’ve heard, “I have these movie ideas that are better than anything out there. How do I get them to a studio so I can collect my millions?”

Movie ideas. When I was working on the set of Nash Bridges for those six seasons, everybody had an idea or script. The guy who watered the plants, the dolly grip, the extras (especially the extras), the boom operator, the set decorator (I read his script, it wasn’t bad)... you name it, they had a script or worse, an idea to sell.

Now, to be truthful again, I also had ideas and scripts then, too. And I was also trying to get them to anyone who would pay attention, like everyone else. So, I’m not denigrating the people who want to see their films made, ok? That I understand.

What I don’t understand is the non-willingness to work for it. I was just exposed to a person who had “the best ideas for films Hollywood’s ever seen, but I just want to sell the ideas, because writing a script would be too much work.”

I was happy to tell this person how they could do that. “First”, I told him, “you have to go to Fantasyland.”

What he was looking for was a shortcut to success. He’d think of an idea, one or two sentences of a story idea, then the studios, who have bags of money just lying around, would dip into those bags and give him untold millions and send him on his way while they hired a writer to write his fabulous idea and a director to direct it. And then he’d come back and have approval over all of it, to make sure they did “his” story justice. See what I mean about Fantasyland?

Everybody everywhere has a movie idea. I run into people with movie ideas all the time when they find out what I do for a living. I tell them what I will tell you: NOBODY BUYS IDEAS. NOBODY. They buy the execution of those ideas. They buy YOUR hard work turning that idea into a wham bang script.

Yes, writers sell pitches. (This is always the first thing I hear after I say NOBODY BUYS IDEAS.) But the people who buy those pitches are buying the writer who pitched it as much as the idea. They KNOW this writer can take that idea and make it something special because he/she has a track record of doing just that. Hell, I’ve sold a pitch. But I sold it to a Production Company I had already sold a script to and had done multiple writing assignments for. They knew what I could do with the idea. I earned that right with years and years of hard work.

If you want to sell an idea, write the script. Do the work. Do the research. Do the outlining, if that’s the way you do it. Write it. Then rewrite it. Then rewrite it again. And when you’ve done the work to get it ready to read, do the work it takes to get it out there. Get it vetted. Have people you trust to be honest with you read it. Listen to their notes. Then rewrite it again. Then query/network it. And if you get reads... know that patience is what you’ll need. Lots of patience.

The average time it takes from finishing a script to having that script made (again, a miracle) is eight (8) years. Eight years. Average time. Jeff Willis and I wrote (finished) The Right Girl in 2007. It got produced this year. Only seven years. Not bad. Better than average. Not much better, but better. The script I sold from the pitch that I’m rewriting now gets made middle of next year. I looked it up. I pitched it in 2012 and wrote the first draft last year. So, that’s three years. Again, not bad.

My big theatrical that gets made middle of next year? I looked it up and got a little sick. Wrote it in 1999. Sixteen years from when I wrote it originally to production. Sixteen years. Oh My God... sixteen years?

Ok... I’m fine now. Martini helped.

Ok, so it’s taken sixteen years. In between time, I did nothing but work my ass off, writing, writing, and marketing myself and my work. And learning hard truths.

THERE ARE NO SHORTCUTS.

There is no coming up with ideas and waiting for the cash to flow in. Doesn't happen. You want success? Do the hard work, execute those ideas brilliantly, and make miracles happen.

And above all, be patient.

(follow me on Twitter @bobsnz)

3 thoughts on “Screenwriting is Easy & Other Lies.

  1. Pingback:

    If This Is A Blog Then What's Christmas? - NOBODY BUYS IDEAS. NOBODY. They buy the execution of those ideas.

  2. Rod Thompson

    I retire from the Navy in five years, and when I tell people about my plan to be a writer afterwards, they keep saying, “You’re starting a little early aren’t you?”

    (shakes head)

    The time struggle is real, but think of all of the material one can create and accumulate on the way! 😀

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